In the mid-1800s, long before factory-made instruments were common, people all across early America were building their own guitars and stringed instruments from whatever they could find. Old barn boards, scrap lumber from houses, and especially leftover wooden boxes became the raw material for homemade music.
As the railroads spread between the 1850s and 1870s, nearly everything was shipped in wooden crates—tool boxes, food crates, cigar boxes, and more. When those boxes were emptied, creative hands turned them into instruments. A simple box, a sturdy stick for a neck, a few strings, and you suddenly had a guitar. It was pure, practical ingenuity.
From the Mississippi Delta to the Appalachian Mountains, poverty never stopped people from making music. If you wanted to play and had no money, you built your own guitar. Many early blues and rock ’n’ roll pioneers started out this way—on homemade, box-built guitars that most of the world has long forgotten.
Homemade and cigar box guitars are part of our past, but they’re very much alive today.
Over the years, I’ve heard from all kinds of people—military veterans, teenagers trying to find their way, folks facing illness, grief, or big life changes—who say that hearing or seeing one of these simple guitars lit a new spark in them. Picking up a three- or four-string guitar gave them a fresh sense of purpose, joy, and creativity.
A big part of the magic is how approachable they are. Many people have always wanted to play a regular six-string guitar, but felt overwhelmed by complex chords, fretboard patterns, and music theory. A three-string or four-string guitar strips all that down to the essentials. The shapes are simple, the learning curve is gentle, and slide guitar is an easy, soulful place to start.


































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